राष्ट्रीय चित्रपट पुरस्कार, सर्वोत्कृष्ट सर्वांगीण मनोरंजक चित्रपट
(राष्ट्रीय चित्रपट पुरस्कार, सर्वोत्कृष्ट चित्रपट पौष्टिक मनोरंजन या पानावरून पुनर्निर्देशित)
सर्वोत्कृष्ट सर्वांगीण मनोरंजक चित्रपट हा भारतामधील वार्षिक राष्ट्रीय चित्रपट पुरस्कार सोहळ्यामधील एक पुरस्कार आहे. १९७५ सालापासून देण्यात येणारा हा पुरस्कार सुवर्ण कमळ पुरस्कारांपैकी एक असून तो भारतामधील सर्व भाषांमधील चित्रपटांसाठी खुला आहे.
पुरस्कार विभागून दिला गेला |
वर्ष | चित्रपट | भाषा | निर्माता | दिग्दर्शक | अवतरण | संदर्भ |
---|---|---|---|---|---|---|
1974 (22nd) |
कोरा कागज | हिंदी | श्रीजी फिल्म्स | अनिल गांगुली | – | [१] |
1975 (23rd) |
तपस्या | हिंदी | राजश्री प्रॉडक्शन्स | अनिल गांगुली | – | [२] |
1976 (24वा) |
पुरस्कार नाही | [३] | ||||
1977 (25वा) |
स्वामी | हिंदी | जया चरवर्ती | बासू चॅटर्जी |
For a taut script, for restrained, mature and dignified performances (especially by Girish Karnad), for meticulous attention to detail, for maintaining the spirit of the original story and translating it into the film medium with effectiveness and grace, for giving an old theme a contemporary relevance, for providing that it is possible to make a film with popular appeal without surrendering psychological truth or artistic values. |
[४] |
1978 (26वा) |
गणदेवता | बंगाली | पश्चिम बंगाल राज्य सरकार | तरुण मजुमदार |
For brilliant picturisation of modern literary classic. Like the novel, film succeeds in capturing a whole era in transition. Steering clear of both commercial vulgarisation and pretentiousness, the film uses all the cinematic, to effectively communicate to the masses. |
[५] |
1979 (27वा) |
शंकराभरणम | तेलुगू | ई. नागेश्वर राव | के. विश्वनाथ |
Powerful presentation of the teacher-student relationship, highlights the urgent need of revival of Indian classical music through a powerful protagonist. For a creative use of classical music as a metaphor for popular cinematic narrative and entertainment. |
[६] |
1980 (28वा) |
पुरस्कार नाही | [७] | ||||
1981 (29वा) |
पुरस्कार नाही | [८] | ||||
1982 (30वा) |
पुरस्कार नाही | [९] | ||||
1983 (31वा) |
पुरस्कार नाही | [१०] | ||||
1984 (32nd) |
कोनी | बंगाली | पश्चिम बंगाल राज्य सरकार | सरोज डे | – | [११] |
1985 (33rd) |
पुरस्कार नाही | [१२] | ||||
1986 (34वा) |
संसारम अधू मिंसारम | तामिळ | एव्हीएम प्रॉडक्शन्स | विसू |
For its entertaining presentation of a complex contemporary social problem – the disintegration of the joint family. |
[१३] |
1987 (35वा) |
पुष्पक विमान | मूक चित्रपट | • सिंगीतम श्रीनिवास राव • श्रीनगर नागराज |
सिंगीतम श्रीनिवास राव |
For its innovative approach to entertainment. |
[१४] |
1988 (36वा) |
कयामत से कयामत तक | हिंदी | नासिर हुसेन फिल्म्स | मन्सूर खान |
For presenting fresh and clean charm on celluloid with discerning imagination. |
[१५] |
1989 (37वा) |
चांदनी | हिंदी | यश राज फिल्म्स | यश चोप्रा |
For providing clean and romantic entertainment illuminated with smooth performances and fresh lyrics in folk form. |
[१६] |
1989 (37वा) |
गीतांजली | तेलुगू | भाग्यलक्ष्मी एंटरप्रायझेस | मणी रत्नम |
For its innovative approach in depicting youthful passion. |
[१६] |
1990 (38वा) |
घायल | हिंदी | धर्मेंद्र | राजकुमार संतोषी |
For being thematically highly credible, emotionally very well-woven, logically executed, and technically superb film. |
[१७] |
1991 (39वा) |
पुरस्कार नाही | [१८] | ||||
1992 (40वा) |
सरगम | मल्याळम | भवानी | हरीहरन |
For its delighful rendering of a family saga into a heartwarming musical film. |
[१९] |
1993 (41वा) |
मणीचित्राताळू | मल्याळम | अप्पाचन | फाझिल |
For handling an unusual subject of psychological aberration in a conservative society and the ultimate acceptance of a modern approach. |
[२०] |
1993 (41वा) |
डर | हिंदी | यश चोप्रा | यश चोप्रा |
For its convincing presentation of the theme of love, which has been rendered complex by its relationship with past experiences of fear. |
[२०] |
1994 (42nd) |
हम आपके हैं कौन..! | हिंदी | राजश्री प्रॉडक्शन्स | सूरज बडजात्या |
For revolutionising mass entertainment in India with a family entertainer and a fantasy film that succeeds without recourse to familiar narrative idioms of violence. |
[२१] |
1995 (43rd) |
दिलवाले दुल्हनिया ले जायेंगे | हिंदी | यश चोप्रा | आदित्य चोप्रा |
For providing meaningful family entertainment through a simple love story with kindness and sensitivity. |
[२२] |
1996 (44वा) |
माचिस | हिंदी | R. V. Pandit | गुलजार |
For powerful depiction of Punjab situation, exploring the trauma, conflict and tragedy of the youth in Punjab. |
[२३] |
1997 (45वा) |
दिल तो पागल है | हिंदी | यश चोप्रा | यश चोप्रा |
For its clean, fun-loving portrayal of young people in the film that moves effortlessly and avoids any signs of violence or vulgarity. |
[२४] |
1998 (46वा) |
कुछ कुछ होता है | हिंदी | यश जोहर | करण जोहर |
For the irresistible charm and universal appeal of its story, music, dance and performances. |
[२५] |
1999 (47वा) |
सरफरोश | हिंदी | जॉन मॅथ्यू मॅटन | जॉन मॅथ्यू मॅटन |
For its engrossing projection of an honest officer, who fights engineered subversion which fuels suspicion and sours relationship between two communities. A bold subject for the debut film of a director in mainstream cinema. |
[२६] |
2000 (48वा) |
वानतैप्पोला | तामिळ | वेणू रविचंद्रन | विक्रमन |
For its sincere projection of the values of a joint family and the need to share good and difficult times together. |
[२७] |
2001 (49वा) |
लगान | हिंदी | आमिर खान | आशुतोष गोवारीकर |
For showing the victory of the human spirit in the face of oppression and for the creative use of a Cricket game as a metaphor for both colonisation and nationalism. |
[२८] |
2002 (50वा) |
देवदास | हिंदी | भरत शहा | संजय लीला भन्साळी |
For its technical finesse and its modern reinterpretation of an enduring classic. |
[२९] |
2003 (51वा) |
मुन्ना भाई एम.बी.बी.एस. | हिंदी | विधू विनोद चोप्रा | राजकुमार हिरानी |
For dealing with social issues with humour and compassion. |
[३०] |
2004 (52nd)* |
वीर-झारा | हिंदी | यश राज फिल्म्स | यश चोप्रा |
For invoking a touching tale of love highlighting the importance of human relationship above man-made boundaries. |
[३१] |
2004 (52nd) |
ऑटोग्राफ | तामिळ | चेरन | चेरन |
For invoking nostalgia in a manner that is powerful yet poetic. |
[३१] |
2005 (53rd) |
रंग दे बसंती | हिंदी | • यूटीव्ही मोशन पिक्चर्स • राकेश ओमप्रकाश मेहरा |
राकेश ओमप्रकाश मेहरा |
For creating popular appeal that captures the angst of the younger generation with compassion and imagination. |
[३२] |
2006 (54वा) |
लगे रहो मुन्ना भाई | हिंदी | विधू विनोद चोप्रा | राजकुमार हिरानी |
For revalidating the philosophy of non-violence in a strife-torn world and helping rediscover the Gandhi within the common man. |
[३३] |
2007 (55वा) |
चक दे! इंडिया | हिंदी | आदित्य चोप्रा | शिमित अमीन |
For thoroughly entertaining the audience, making one proud to be an Indian. A masterpiece of inspired filmmaking. |
[३४] |
2008 (56वा) |
ओय लकी! लकी ओय! | हिंदी | यूटीव्ही मोशन पिक्चर्स | दिबाकर बॅनर्जी |
For its intelligent treatment of an off-beat subject that makes it different within the popular format. |
[३५] |
2009 (57वा) |
३ इडियट्स | हिंदी | विधू विनोद चोप्रा | राजकुमार हिरानी |
For an intelligent entertainer that touches upon the contemporary concerns of society with great humour and engaging performances. |
[३६] |
2010 (58वा) |
दबंग | हिंदी | • अरबाज खान • मलाइका अरोरा खान • धिलिन मेहता |
अभिनव कश्यप |
For answering the need of cinegoers for entertainment rooted in Indian soil. |
[३७] |
2011 (59वा) |
अळागरसमियिन कुतिराई | तामिळ | पी. मदन | सुसींतिरन |
For redefining conventional notions of modern entertainment and still gaining acceptance in the mainstream. The director boldly sets out to narrate a fable revolving around temple rituals within a completely realistic framework of farmers, politicians and the poor families of rural Tamil Nadu. His engagement with filmic language is as robust as the emotional graphs charted out by a massive ensemble of characters. |
[३८] |
2012 (60वा) |
विकी डोनर | हिंदी | • सुनील लुल्ला • जॉन अब्राहम • रॉनी लहिरी • राम मीरचंदानी |
शूजीत सरकार |
A wholesome entertainer presented in a breezy and humorous fashion. The film-maker has deftly avoided falling into the beaten track of formula films by presenting the sensitive subject of sperm donation without pandering to the baser instincts of the average viewer. |
[३९] |
2012 (60वा) |
उस्ताद हॉटेल | मल्याळम | लिस्टिन स्टीफन | अन्वर रशीद |
An excellent advertisement for 'Desi Enterprise', the film conveys a strong message of seeking realization, compassion and contentment through service to the society at large! |
[३९] |
2013 (61वा) |
भाग मिल्खा भाग | हिंदी | राकेश ओमप्रकाश मेहरा | राकेश ओमप्रकाश मेहरा |
For retaining the story and values of a great sportsman and translating it into the cinematic medium with aplomb. |
[४०] |
2014 (62nd) |
मेरी कोम | हिंदी | संजय लीला भन्साळी | ओमुंग कुमार |
For an inspiring tale of a woman who becomes a national icon through her determined pursuit of sporting excellence.. |
[४१] |
2015 (63rd) |
बजरंगी भाईजान | हिंदी | • सलमान खान • रोकलाईन वेंकटेष |
कबीर खान |
For tackling an important social issue in the simple heart-warming & entertaining format. |
[४२] |
2016 (64th) |
सत्थमानम भवति | तेलगू | दिल राजू | सतीश वेगास्न |
In appreciation of providing a feeling of jubilation by respecting family values in an unexplored manner. |
[४३] |
2017 (65th) |
बाहुबली २: द कनक्लूजन | तेलगू | • शोभु यारलागड्डा • प्रसाद देवीनेनी |
एस. एस. राजामैली | - | |
2018 (66th) |
बधाई हो | हिंदी | जंगली पिक्चर्स लिमीटेड | अमित शर्मा |
The film breaks the stereotype of middle age pregnancy through easy narrative, effective characterization and pithy dialogues. |
[४४] |
संदर्भ
संपादन- ^ "22nd National Film Awards" (PDF). Directorate of Film Festivals. 1 October 2011 रोजी पाहिले.
- ^ "23rd National Film Awards" (PDF). Directorate of Film Festivals. 4 October 2011 रोजी पाहिले.
- ^ "National Film Awards (1976)". 2014-03-16 रोजी मूळ पान पासून संग्रहित. 2014-07-08 रोजी पाहिले.
- ^ "25th National Film Awards" (PDF). Directorate of Film Festivals. p. 29. 4 October 2011 रोजी पाहिले.
- ^ "26th National Film Awards" (PDF). Directorate of Film Festivals. 4 October 2011 रोजी पाहिले.
- ^ "Phalke nomination for Edida Nageswara Rao". द हिंदू. 17 March 2012. 3 July 2012 रोजी पाहिले.
- ^ "28th National Film Awards" (PDF). Directorate of Film Festivals. 4 October 2011 रोजी पाहिले.
- ^ "29th National Film Awards" (PDF). Directorate of Film Festivals. p. 36. 4 October 2011 रोजी पाहिले.
- ^ "30th National Film Awards" (PDF). Directorate of Film Festivals. p. 30. 4 October 2011 रोजी पाहिले.
- ^ "31st National Film Awards" (PDF). Directorate of Film Festivals. p. 34,35. 9 December 2011 रोजी पाहिले.
- ^ "32nd National Film Awards" (PDF). Directorate of Film Festivals. p. 45. 6 January 2012 रोजी पाहिले.
- ^ "33rd National Film Awards" (PDF). Directorate of Film Festivals. 7 January 2012 रोजी पाहिले.
- ^ "34th National Film Awards" (PDF). Directorate of Film Festivals. 7 January 2012 रोजी पाहिले.
- ^ "35th National Film Awards" (PDF). Directorate of Film Festivals. 9 January 2012 रोजी पाहिले.
- ^ "36th National Film Awards" (PDF). Directorate of Film Festivals. 9 January 2012 रोजी पाहिले.
- ^ a b "37th National Film Awards" (PDF). Directorate of Film Festivals. 29 January 2012 रोजी पाहिले.
- ^ "38th National Film Awards" (PDF). Directorate of Film Festivals. 9 January 2012 रोजी पाहिले.
- ^ "39th National Film Awards" (PDF). Directorate of Film Festivals. 27 February 2012 रोजी पाहिले.
- ^ "40th National Film Awards" (PDF). Directorate of Film Festivals. 2 March 2012 रोजी पाहिले.
- ^ a b "41st National Film Awards" (PDF). Directorate of Film Festivals. 3 March 2012 रोजी पाहिले.
- ^ "42nd National Film Awards" (PDF). Directorate of Film Festivals. 5 March 2012 रोजी पाहिले.
- ^ "43rd National Film Awards" (PDF). Directorate of Film Festivals. 6 March 2012 रोजी पाहिले.
- ^ "44th National Film Awards" (PDF). Directorate of Film Festivals. 9 January 2012 रोजी पाहिले.
- ^ "45th National Film Awards" (PDF). Directorate of Film Festivals. 11 March 2012 रोजी पाहिले.
- ^ "46th National Film Awards" (PDF). Directorate of Film Festivals. 12 March 2012 रोजी पाहिले.
- ^ "47th National Film Awards" (PDF). Directorate of Film Festivals. 13 March 2012 रोजी पाहिले.
- ^ "48th National Film Awards" (PDF). Directorate of Film Festivals. 13 March 2012 रोजी पाहिले.
- ^ "49th National Film Awards" (PDF). Directorate of Film Festivals. 14 March 2012 रोजी पाहिले.
- ^ "50th National Film Awards" (PDF). Directorate of Film Festivals. 14 March 2012 रोजी पाहिले.
- ^ "51st National Film Awards" (PDF). Directorate of Film Festivals. 15 March 2012 रोजी पाहिले.
- ^ a b "52nd National Film Awards" (PDF). Directorate of Film Festivals. 28 January 2012 रोजी पाहिले.
- ^ "53rd National Film Awards" (PDF). Directorate of Film Festivals. 19 March 2012 रोजी पाहिले.
- ^ "54th National Film Awards" (PDF). Directorate of Film Festivals. 24 March 2012 रोजी पाहिले.
- ^ "55th National Film Awards" (PDF). Directorate of Film Festivals. 26 March 2012 रोजी पाहिले.
- ^ "56th National Film Awards" (PDF). Directorate of Film Festivals. 27 March 2012 रोजी पाहिले.
- ^ "57th National Film Awards" (PDF). Directorate of Film Festivals. 28 March 2012 रोजी पाहिले.
- ^ "58th National Film Awards, 2010" (PDF). Directorate of Film Festivals. 29 March 2012 रोजी पाहिले.
- ^ "59th National Film Awards for 2011" (PDF). Directorate of Film Festivals. 2 April 2012 रोजी पाहिले.
- ^ a b "60th National Film Awards Announced" (PDF). Press Information Bureau (PIB), India. 18 March 2013 रोजी पाहिले.
- ^ "61st National Film Awards" (PDF). Directorate of Film Festivals. 16 April 2014. 2014-04-16 रोजी मूळ पान (PDF) पासून संग्रहित. 16 April 2014 रोजी पाहिले.
- ^ "62nd National Film Awards" (PDF) (Press release). Directorate of Film Festivals. 24 March 2015. 24 March 2015 रोजी पाहिले.
- ^ "63rd National Film Awards" (PDF) (Press release). Directorate of Film Festivals. 28 March 2016. 28 March 2016 रोजी पाहिले.
- ^ "64th National Film Awards" (PDF) (Press release). Directorate of Film Festivals. 6 जून 2017 रोजी मूळ पान (PDF) पासून संग्रहित. 7 एप्रिल 2017 रोजी पाहिले.
- ^ https://dff.gov.in/images/News/66th_NFA_Results.pdf